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This organ is our opus 1, its design evolved with Trevor Jones. The type
of organ must have been quite common in England, with the organ sitting
on a table and the bellows in the roof (like the 1630 Hunstanton Hall
organ, which has its own stand). We based the layout on the Manderscheidt
organ at Skara in Sweden, the front on the perspective designs of English
early 17th century organs, and the sound on early English chamber organs.
The regal is based on an example in the Brussels Musical Instrument Museum.
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Stop'd
Diapason
Flute
Principal
Twelfth treble
Fifteenth
Twenty-second bass
Regal |
8
4
4
2 ²/3
2
1 ¹/3
8
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The compass is C AA D - d³, dividing at c/c#. The pitch is
a'=390Hz and can be transposed to a'=440Hz. The pipes are
cone-tuned. The Diapason, Principal and Flute are made of
oak, the upperwork of metal. The Regal has pear resonators
with brass shallots. The voicing is soft to balance the viols,
but the chorus is designed to give some presence to the solo
organ music of the period. Hence also the provision of the
low AA.
The wind
is supplied by two six-fold wedge bellows in the roof of the
organ, operated by human hand.
The organ
has not been used for some years, and the owner would be willing
to sell it. To make it more versatile it could be supplied with
its own stand, and the bellows worked mechanically.
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