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It
was completely rebuilt by Henry Speechly in 1867, retaining the
case, Great chest and most of the flue pipes.
The centre tower of the case and the carving beneath it were altered
at the same time. The front was moved forward,
and the back panelling was pushed out into the passage to accommodate
the new Swell.
The
resulting organ has been little tampered with. In 1926, Hill, Norman
& Beard raised the wind pressure, re-voiced the reeds, replaced
the pedal action with pneumatic, and provided an electric blower.
Speechly's
organ survives largely intact, though HN&B in 1926 replaced
the pedal action with pneumatic (including the shared Bourdon on
the Swell), and re-voiced the reeds, with loaded tongues and harmonic
trebles.
G
& G (advisor John Norman) restored the organ without alteration.
The case was restored by Chris Wells and Charles Marsden (including
gilding the new front pipes in the middle tower, which had been
replaced with zinc ones).
GREAT
(in order
on chest from front)
Open Diapason
Dulciana
Stopped Diapason
Cremona
Principal
Flute Harmonique
Fifteenth
Sesquialtera
Trumpet
|
|
1791
1867
1867
1867
1791
1867
1791
1867
1867 |
marked <2>, spotted metal, C - dº in front
cº - f³, bass from Stopped Diapason
C - bº stopped, c¹ to f³ harmonic
cº to f³, cleaned with new tongues in 1926?
plain metal, c¹ to f³ with tuning slides
c¹ to f³ harmonic
bass pipes are slightly different from the other Green pipes
with 1791 pipework, C 2' 1 1/3' 1', g² 4' 2 2/3' 2',
no tuning slides
revoiced 1926, c² - b² harmonic, c³ - f³
flues |
SWELL (in order on chest from back)
Double Diapason
Open Diapason
Voix Celestes
Stopped Diapason
Principal
Piccolo Harmonique
Mixture
Gamba
Oboe
Cornopean
PEDAL
Open Diapason
Bourdon
Tremulant
|
1867
1791
1791
1791
bass
1867
1867
1894?
1867
1867
1867
1867
1926 |
C - B outside box
ex Great, spotted metal
ex Dulciana, draws Gamba simultaneously (1894 alteration?)
bass ex Great
1791, treble 1867
C 2' 1 1/3' 1', g² 4' 2 2/3' 2'
in place of 1867 Clarion
revoiced, f² - f³ harmonic 1926
revoiced 1926
using Swell Double |
COUPLERS
Swell-Great
Super-octave
Swell-Pedal
Great-Pedal
|
san serif
stop knob label
brings on Sw-Gt sub-octave, so that e.g. Great c¹ plays
Swell cº
sans serif stop knob label
also has an on-off rocker pedal on the bass return of the
pedal recess |
The combinations are at present set as follows (numbering from bass):
1.
2.
3.
4.
5.
6.
7. |
Swell
Swell
Swell
Great
Great
Great
Great
|
DD
OD
StD
Dulc
StD
OD
OD
|
OD
Pr
Pic c
Pr
Pr
Pr |
Pr
(others
(others
15
15 |
Mix
off)
off)
Ses |
Corn
(nothing off) |
|