This organ was imported from Italy in the early 1930s by Alec Hodsdon,
one of the pioneer early keyboard instrument makers. He claimed that it
was made by one Giovanni Giovaninni, for a convent in Lucca. He sold it
to Margaret Glyn, one of the early editors of 16th and 17th century English
keyboard music. After her death it suffered various vicissitudes before
being rescued by Sheila Lawrence.
The style and condition
of the original parts of the organ suggest the mid 17th century. During
the middle years of the 19th century the organ acquired stop knobs and
a drum stop, with additions to the sides of the case to hide them.
After Margaret Glyn's
death, the organ lost the carvings on the top of the organ and around
the tops of the pipes, some of the pipes in the upperwork, and somehow
lost about 200mm in the case height. Martin Goetze brought it back to
playing condition over a few years, stabilising the case, making it
wind tight, and restoring and regulating. The original paintwork and
ornaments had been removed, leaving an unsightly finish. This has been
covered with new paint which can itself be removed with water.